Dead Man’s Switch

(Arillo de hombre muerto)
Alejandro Gerber Bicecci | Drama

2024 | 108 minutes | Mexico

A woman’s frantic search for her missing husband exposes a maze of bureaucracy, pushing her to the edge as she struggles to hold her life together.

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Criminal Justice Family Activism Economics + Social Class Issues Labor Studies Human Rights Women Sociology
Synopsis

Dead Man’s Switch is a gripping Mexican drama that follows Dalia, a 42-year-old subway driver, whose life unravels after her husband vanishes without warning. Dalia’s world, already strained by her demanding job and complicated family dynamics, quickly spirals as she faces a wall of bureaucratic indifference and suspicion. Her desperate search for answers is met with endless paperwork, cold officials, and a society that offers little support. The film, directed by Alejandro Gerber Bicecci, grounds its suspenseful missing-person story in the harsh reality of Mexico’s ongoing crisis of disappearances.

Shot in stark black and white, Dead Man’s Switch uses striking visuals to capture the isolation and despair that define Dalia’s journey.

Dead Man’s Switch stands out as both a suspenseful thriller and a poignant social commentary. This film is a must-watch for anyone interested in powerful, character-driven stories rooted in real-world issues.

Reviews

“Adriana Paz commands the screen as Dalia, imbuing the character with strength and emotional resonance. Mix that with a poetic script by director/writer Alejandro Gerber Bicecci, and the absolutely stunning cinematography by Hatuey Viveros, and you have a film that people will be talking about long after seeing it.” – Cinequest

“Adriana Paz imbues her character with nuances of complex expressiveness...” – Carlos Bonfil, La Jornada

“At Cannes 2024, [Adriana] Paz shared the best actress award with the cast of Emilia Pérez, which is ironic, because Jacques Audiard's embattled musical, which was shot in France, also deals with the Missing Persons system, and it's the inferior effort.” – Kathy Fennessy, Seattle Film Blog

“It’s a film that looks striking, with stark black and white photography capturing the dimly lit streets and subterranean locales of Mexico that also conveys the actuality of a fractured system preventing individuals from finding their lost loved ones.” – Rob Munday, Directors Notes

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Pragda subjects

Activism
Criminal Justice
Economics + Social Class Issues
Family
Human Rights
Labor Studies
Sociology
Women

Keywords
Dead Man's Switch,Arillo de hombre muerto,Alejandro Gerber Bicecci,Mexico,México,Drama,disapeared,family,woman,metro,underground,subway,Adriana Paz,Noé Hernández,Gabo Anguiano,Andrea Camacho,Gina Morett,Mariel Molino,Ramón Medina,criminal justice,crime,judiciary,police reform,corrections,criminal law,judicial system,justice department,prosecution,judgement,criminal law,courts and corrections,corrections institutes,family,kin,fellowship,household,immediate family,extended family,multigenerational family,multigenerational household,kinfolk,family tree,genealogy,nuclear family,modern family,family tree,activism,activist,digital activism,advocacy,advocate,involvement,militancy,militant,logrolling,striking,boycotting,championing,champion,effecting change,engagement,supporter,protest,protester,demonstrator,organizing,labor organizing,revolution,revolutionary,community organizing,effecting change,striking,labor strike,labor organizing,economics,social class,money,capital,capitalism,class,economy,prejudice,intersectionality,inequality,poverty,income gap,wage gap,class warfare,elitism,snobbery,bourgeois,poverty,upper class,middle class,lower class,nouveau riche,labor studies,employment studies,workers rights,workers’ rights,organizing,labor unions,trade unions,unions,industry,employment law,working class,labor rights,labor equity,employment,union organizing,labor organizing,labor rights movements,employment rights movements,workers’ rights movement,workers rights movements,human rights,public rights,equal rights,freedom of expression,basic human rights,united nations,activism,human rights activism,human rights council,human rights commission,universal human rights,universal rights,women,womanhood,gender,girl,girlhood,mother,motherhood,female,cis woman,cis female,trans woman,trans female,women’s rights,women’s issues,lady,ladies,gentlewoman,madame,miss,missus,mrs.,dame,damsel,ingenue,lass,maid,maiden,belle,gal,ladyfriend,girlfriend,dear,darling,widow,matron,dowager,gender,gender equality,gender pay gap,women’s liberation,women’s rights,sociology,anthropology,psychology,sociological,sociological perspectives,conflict theory,human conflicts,sociological thinking,conflict perspective,topics in sociology,sociology topics,sociology studies,social studies,people and cultures,human relations,human relationships,cultural studies,culture studies ; "Dead Man’s Switch"; Pragda Films; "Arillo de hombre muerto";
Clips
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Festivals

Cinequest Film Festival; Fribourg International Film Festival; Guadalajara International Film Festival: Moscow International Film Festival; Guanajuato International Film Festival; SAFILM. San Antonio Film Festival; Hola México Film Festival; Cine+ San Francisco Latino Film Festival; St. Louis International Film Festival; La Habana International Film Festival: Jaipur International Film Festival; Kolkata International Film Festival – Special Jury Mention

DIRECTOR: Alejandro Gerber Bicecci

NATIONALITY: Mexico

YEAR: 2024

GENRE: Drama

LANGUAGE: Spanish

COLOR / B&W: Black and white

GRADE LEVEL: High School, College, Adult

SUBTITLE/CC: AVAILABLE

AUDIO DESCRIPTION: NOT AVAILABLE

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