The Territories

(Los territorios)
Iván Granovsky | Documentary

2017 | 93 minutes | Argentina, Brazil

An engrossing exploration into what it means to be a journalist, the film is about how we approach the conflicts and the role the press plays in times of fake news.

Synopsis

The desire to bear witness to the world’s great tragedies is addressed playfully by Iván Granovsky in humorous The Territories. It’s a miracle that this road movie even exists, it seems. The three previous times that Granovsky attempted to make a film -he narrates with a sense of self-mockery- turned into fiascos.

But after the terrorist attack on French satirical magazine Charlie Hebdo, Granovsky decided to follow in the footsteps of his father, a respected journalist who writes for Página 12, Argentina’s most widely read progressive paper. He sets off on a journey to sites of contemporary geopolitical conflict. Determining where the frontline ends and this wannabe war correspondent’s ego trip begins proves even more difficult. From Greece to the less-democratic Brazil, from the Basque Country to Jerusalem, Granovsky is always too late, too early or in the wrong place. He asks clumsy questions, gets vague answers, and in the meantime receives e-mails from his mother telling him to repay his credit card debts to her.

An engrossing exploration into what it means to be a journalist, the film is about how we approach the conflicts - not the conflicts themselves - and the role the press plays in times of fake news. Through war correspondents, journalists, and political scientists, Granovsky narrates from what we call the front lines – the boundary between the journalist and the bullets.

The Territories is also a portrait of a thirty-something trying to find his way in a world full of opportunities, but with no idea of where to start.

Reviews

"An entertaining play between fiction and documentary." — La Nación

"A personal and political travelogue... around the globe. Mixing documentary and fiction, Granovsky attempt to approach serious international conflicts without losing the subjective point of view. Nor the humor." — Diego Lerer, Micropsia

"A unique documentary, one that grows more intense every minute." — Cartagena de Indias International Film Festival

"A personal and political story, intimate, and social." — Otro Cines

Citation
Main credits

Granovsky, Iván (film director)
Granovsky, Iván (film producer)
Granovsky, Iván (screenwriter)
Granovsky, Iván (actor)
Ajaka, Alberto (actor)
Gauvain, Barbara (actor)
Verona, Joana de (actor)
Altzugarai, Juncal (actor)
Spregelburd, Rafael (actor)
Lois, Valeria (actor)

Other credits

Cinematography, Tebbe Schöningh; editor, Ana Godoy; music, Edson Secco.


Citation
Cataloging
Keywords
education, family, sociology, journalism, press, youth, border, spanish, spanish language, latin america, latin american cinema, latin american film, ibero america, latin, latinx, latino, latina,,anthropologically, cultural anthropology, forensic anthropology, anthropologist, human nature, physical anthropology, ethnocentric, ethnography, functionalism, cultures, societies, human people, human society, functionalism, globalization, ideology, pragmatism, dogmatism, social change, society,religion, spirituality, organized religion, soul, spiritual beliefs, religious beliefs, belief systems, branches of religion, religious sects, sects, gods and goddesses, monotheism, theism, pantheism, polytheism, spiritual awakening,communications, journalism, news, information, media, new media, newspaper, newspaper, blogs, news site, news app, pulling string, gathering string, reporting, fourth estate, news media, journalists, journalist, reporters, reporter,geography, location, place, country, location, physical place, terrain, spatial awareness, territory, map, place, space, maps, cartography, countries, cities, mountains, territories, states, nations, borders, boundaries, topology, topography,culture, identity, identity politics, culture wars, left wing, right wing, intersectionality, identity groups, civilization, literacy, humanism, cancel culture, online culture, cultural revolution, cultural diffusion, culture shock, popular culture, pop culture, material culture, cultural capital, cultural assimilation ,international relations, global relations, global studies, international studies, international affairs, intercontinental relations, intercontinental studies, foreign studies, foreign relations, national relations, national studies, cross-continental studies, cross-continental relations,political science, micropolitics, macropolitics, political theory, political education, political movements, political thinking, political criticism, poly sci, polysci, political sci, political sciences, political history, history of politics, political systems,human rights, public rights, equal rights, freedom of expression, basic human rights, united nations, activism, human rights activism, human rights council, human rights commission, universal human rights, universal rights,authority, authoritarianism, dictatorship, military regime, military government, fascism, repression, oppression, political oppression, political repression, far right, far right wing, modern fascism,criminal justice, crime, judiciary, police reform, corrections, criminal law, judicial system, justice department, prosecution, judgement, criminal law, courts and corrections, corrections institutes,the territories,Arab,territories,road movie,New movies,spanish,ivan,french,fake news,miracles,italian movies about the second world war,El amor en el tiempo de cholera,bedouin,palestinian,road movies,Arabic,director,climate change,Joana Torgal,miracle,alberto sordi,"northwest territories",basque,lejos de casa,verona,israel,fiasco,a man named ove,desire; "The Territories"; Pragda Films
Clips
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Festivals

International Film Festival Rotterdam
Vienna International Film Festival
Buenos Aires Independent Film Festival
Havana Film Festival
Cartagena de Indias International Film Festival
Montréal International Documentary Film Festival

DIRECTOR: Iván Granovsky

NATIONALITY: Argentina, Brazil

YEAR: 2017

GENRE: Documentary

LANGUAGE: Spanish; English; Arabic; Basque

COLOR / B&W: Color

GRADE LEVEL: High School, College, Adults

SUBTITLE/CC: AVAILABLE

AUDIO DESCRIPTION: NOT AVAILABLE

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