Restored,restaurada,Cuba,el santo,cine de luchadores,Mexico,lucha libre,Fidel Castro,Cuban Revolution,classic films,cult films,film degree,film major,media studies,film and media studies,film and television studies,film production studies,cinema studies,film history,cinema history,black and white films,silent films,talkies,film music,film accompaniment,early cinema,early 20th century cinema,birth of cinema,birth of color cinema,technicolor,kinemacolor,magic lantern,camera obscura,cinema studies,film studies,cinema,film,movies,motion pictures,film history,film production,film criticism,cinema history,cinema production,cinema criticism,movie history,movie production,movie criticism,history of cinema,history of film,latin american studies,caribbean american studies,island studies,latin american culture,latin american history,latin american politics, caribbean american culture,caribbean american history,caribbean american politics, latin american languages,latin american and caribbean studies,hispanic american studies,hispanic people,hispanic culture,hispanic politics,culture,identity,identity politics,culture wars,left wing,right wing,intersectionality,identity groups,civilization,literacy,humanism,cancel culture,online culture,cultural revolution,cultural diffusion,culture shock,popular culture,pop culture,material culture,cultural capital,cultural assimilation, santo vs. the infernal men, santo contra hobres infernales, joselito rodríguez,tarantino; "Santo vs. the Infernal Men"; Pragda Films