Ashes

(Cenizas)
Juan Sebastián Jácome | Drama, Fiction

2018 | 88 minutes | Ecuador, Uruguay

Caridad hasn’t spoken to her father since he left the family under a cloud of suspicion years ago, until a dormant volcano starts spewing ash with Caridad trapped in the blast zone.

Synopsis

Caridad hasn’t spoken to her father in years—not since he left the family under a cloud of suspicion and accusations. But that changes when a long dormant volcano starts spewing ash and Caridad finds herself isolated and trapped within the blast zone. Out of options, she reaches out to her father and confronts the emotions she repressed for so many years.

Ashes is a keenly observed and delicately rendered family drama and the second feature from Ecuadorian writer/director Juan Sebastián Jácome. This film is an examination of a family in crisis set under the looming cloud of a geological disaster. Joined by Samanta Caicedo as Caridad and Diego Naranjo as her father Galo, Jácome explores the moments and emotions that lead to the confrontation of issues that that stayed as taboos for many years

Citation
Main credits

Jacome, Juan Sebastian (film director)
Jacome, Juan Sebastian (screenwriter)
Hevia, Andrew (film producer)
Tejeira, Germán (film producer)
Caicedo, Samanta (actor)
Naranjo, Diego (actor)
Estrella, Juana (actor)

Other credits

Cinematographer, Simón Brauer; editing, Julián Goyoaga, Germán Tejeira; music, Xavier Müller.


Citation
Cataloging
Keywords
Phsycological,abuse,family relationships,intimacy,child,children,childhood,kid,girl,girlhood,boy,boyhood,teen,teenager,puberty,adolescence,adolescent,coming-of-age,minor,kiddo,kids,juvenile,stripling,moppet,tyke,tween,tot,toddler,sonny,girlie,underaged,dependent,youngster,infancy,babyhood,girlhood,boyhood,friendships,juvenescence,juvenility,springtime,early life,women,womanhood,gender,girl,girlhood,mother,motherhood,female,cis woman,cis female,trans woman,trans female,women’s rights,women’s issues,lady,ladies,gentlewoman,madame,miss,missus,mrs.,dame,damsel,ingenue,lass,maid,maiden,belle,gal,ladyfriend,girlfriend,dear,darling,widow,matron,dowager,gender,gender equality,gender pay gap,women’s liberation,women’s rights,geography,location,place,country,location,physical place,terrain,spatial awareness,territory,map,place,space,maps,cartography,countries,cities,mountains,territories,states,nations,borders,boundaries,topology,topography,family,kin,fellowship,household,immediate family,extended family,multigenerational family,multigenerational household,kinfolk,family tree,genealogy,nuclear family,modern family,family tree,mental illness,therapy,trauma,behavioral health,mental disability,psychology,psychiatry,social work,wellbeing,counselor,diagnosis,mentally disabled,mental incapacitation,mentally defective,mental handicap,mental defective,psychotic break,psychosis,psychoses,mentally sound,questionable mental health,south america,south american countries,countries in south america,argentina,bolivia,brazil,chile,colombia,ecuador,guyana,paraguay,peru,suriname,uruguay,venezuela,south american politics,south american culture,south american cuisine,south american education,south america in media,south american languages,south america history; "Ashes"; Pragda Films
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Festivals

Miami International Film Festival

DIRECTOR: Juan Sebastián Jácome

NATIONALITY: Ecuador, Uruguay

YEAR: 2018

GENRE: Drama, Fiction

LANGUAGE: Spanish

COLOR / B&W: Color

GRADE LEVEL: High School, College, Adults

SUBTITLE/CC: AVAILABLE

AUDIO DESCRIPTION: NOT AVAILABLE

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